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Black Lizard - Black Lizard mp3 download

Tracklist Hide Credits

A1 Honey, Please
A2 Boundaries
Drum Machine [Electronic Drum Machine] – Anton Newcombe
A3 Dead Light
A4 Love Is A Lie
A5 New Kind Of High
B1 Some Drugs
B2 Forever Gold
B3 Thrill
B4 Fucking Up

Companies, etc.

  • Mastered At – New Atlantis Studios
  • Phonographic Copyright (p) – Soliti
  • Phonographic Copyright (p) – Black Lizard
  • Copyright (c) – Soliti
  • Copyright (c) – Black Lizard
  • Distributed By – Playground Music Scandinavia
  • Pressed By – Optimal Media GmbH – BD05127


  • Arranged By – Black Lizard
  • Artwork [Album Artwork] – Onni Hyöty
  • Bass Guitar – Lauri Lyytinen
  • Drums, Percussion – Onni Nieminen
  • Layout [Album Layout] – Jalmari Sarla
  • Lead Guitar, Synthesizer [Synths], Sitar – Joni Seppänen
  • Mastered By – Sonic Boom
  • Mastered By [Vinyl] – MK
  • Recorded By [Mentored By], Engineer [Mentored By] – Anton Newcombe (tracks: A2, B1, B2, B4)
  • Recorded By, Engineer – Fabien Leseure (tracks: A2, B1, B2, B4)
  • Recorded By, Mixed By – Paltsa-Kai Salama
  • Songwriter – Seppänen*, Salama*
  • Vocals, Rhythm Guitar – Paltsa-Kai Salama


Includes an insert. Limited edition of 300 copies.

From the back cover:
Recorded and mixed by [....] in Helsinki.
Songs A2, B1, B2 and B4 recorded and engineered by [....] and mentored by [....] in Berlin.
P & C solity/black lizard

Barcode and Other Identifiers

  • Barcode: 6417138613622
  • Matrix / Runout (Side A, etched): BD05127-01 A1 MK
  • Matrix / Runout (Side B, etched): BD05127-01 B1 MK
  • Rights Society: Teosto
  • Rights Society: n©b

Other versions

Category Artist Title (Format) Label Category Country Year
soliti 014 Black Lizard Black Lizard ‎(CD, Album) Soliti soliti 014 Finland 2013

Black Lizard - Black Lizard mp3 download
Performer: Black Lizard
Genre: Rock
Title: Black Lizard
Country: Finland
Released: 2013
Style: Garage Rock, Psychedelic Rock, Indie Rock
MP3 version ZIP size: 1546 mb
FLAC version RAR size: 1698 mb
Rating: 4.8
Votes: 277

Once upon a time Jesus and Mary Chain began exploring a droning hypnotic atmosphere that was laced with confusion, distortion and reverb, all designed to speak to a their unkempt edge of danger vision for the future ... a future for which they saw their generation’s days both numbered and marked, creating an environment of existential angst. Though, anyone who’s seen these 80’s prophets of black leather doom, know that Jesus and Mary Chain were far from their hype, with lives and shows actually filled with distain, in-fighting, and boredom.But that sound, a sound as sonically fueled and original as Nirvana’s, certainly spoke to quite a few people, people who picked up the ideals of fuzz and distortion as a means to create their own vision of sonic expression. Here, on their self titled album, Black Lizard, with the guidance and help of Anton Newcombe [from The Brian Jonestown Massacre], aren’t so much trying to reinvent the wheel, but are seeking out the perfect cords and sustained feedback for expressing their sinuously, slightly damaged pop songs ... songs that are filled with visionary splendor, nostalgia, and more psychedelic hooks than one could hope for. Having said that, there seems to be a sense of flawless calculation and mathematics to their sound that is brought to light [or darkness] with their stylish love for the electronic pedaled effects, and jangling guitars ... one where the casualness of their demeanor, stands in stark juxtaposition to their sound.So, when you pull into the parking lot of some off the main highway diner, and see a vintage Galaxie 500, hood up, and the radiator steaming in front of the single gas pump, you can be sure that inside that weathered cafe, there’s a group of guys endlessly feeding the jukebox with mile wide smiles on their faces, and not a care in the world, because it’s all about material for the next song.Review by Jenell Kesler