A Red, Red Rose" is a 1794 song in Scots by Robert Burns based on traditional sources. The song is also referred to by the title "Oh, My Love is Like a Red, Red Rose", "My Love is Like a Red, Red Rose" or "Red, Red Rose" and is often published as a poem
O my Luve is like a red, red rose That’s newly sprung in June; O my Luve is like the melody That’s sweetly played in tune. So fair art thou, my bonnie lass, So deep in luve am I; And I will luve thee still, my dear, Till a’ the seas gang dry. Till a’ the seas gang dry, my dear, And the rocks melt wi’ the sun; I will love thee still, my dear, While the sands o’ life shall run.
O my luve's like a red, red rose, That's newly sprung in June: O my luve's like the melodie, That's sweetly play'd in tune. As fair art thou, my bonnie lass, So deep in luve am I; And I will luve thee still, my dear, Till a' the seas gang dry. Till a' the seas gang dry, my dear, And the rocks melt wi' the sun: And I will luve thee still, my dear, While the sands o' life shall run. And fare thee weel, my only luve, And fare thee weel awhile! And I will come again, my luve, Though it were ten thousand mile. About A Red, Red Rose
O my Luve is like a red, red rose. That’s newly sprung in June; O my Luve is like the melody. That’s sweetly played in tune. Born on 25 January 1759 in Alloway, Scotland, to William and Agnes Brown Burnes, Robert Burns followed his father's example by becoming a tenant farmer.
My love is like a red, red rose. That’s newly sprung in June : My love is like the melody. And I will come again, my love, Thou’ it were ten thousand mile. Robert Burns Classic Poems.
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O my luve's like a red, red rose, That's newly sprung in June; O my luve's like the melodie That's sweetly played in tune. Till a' the seas gang dry, my dear, And the rocks melt wi' the sun: O I will love thee still, my dear, While the sands o' life shall run.
A Red, Red Rose’ is one of the most famous of all Scottish love songs, collected by Robert Burns in 1794. Burns originally intended to publish it in A Select Collection of Original Scottish Airs for the Voice, a five-volume compendium compiled by George Thomson; but Burns told his friend Alexander Cunningham that he and Thomson disagreed about the value of the song. Burns felt the song was ‘simple and wild’, and thought that Thomson would think it ‘ludicrous and absurd’. Subsequently Burns gave the song to Thomson’s rival song-publisher Pietro Urbani, who published it in Scots Songs with his.
