Users' Highest Rated House Albums of All Time. The Best Albums of All Time. 78. The Soft Cavalry.
Listen to music from gonken’s library (2,457 tracks played). Get your own music profile at Last. fm, the world’s largest social music platform. A new version of Last. Daniel Goine, scrobbling since 7 Sep 2005. Overview (current section).
Live From Daryl's House. A free monthly web series featuring Daryl Hall and guest artists jamming in his home.
Producer Don Gallucci took the approach that the Stooges were a powerhouse live band, and their best bet was to recreate the band's live set with as little fuss as possible. As a result, the production on Fun House bears some resemblance to the Kingsmen's version of "Louie Louie" - the sound is smeary and bleeds all over the place, but it packs the low-tech wallop of a concert pumped through a big PA, bursting with energy and immediacy.
Gallucci essentially recorded Fun House as though it were a live album, letting the band simply attack the songs in take after exhausting take, and though the recording is less than perfect from a technical standpoint, it shoves the Stooges at the peak of their powers right in your face. The first album also contains the classic "I Wanna Be Your Dog", notable almost as much for its inclusion of piano and sleigh bell in a grinding rock arrangement as it is for its then-controversial refrain.
Songs to Sing in the Car. Various Artists. By neyoni 2 Jul 11:54am. On Neon Genesis Evangelion's iconic 'Fly Me to the Moon' renditions and where to hear them.
The lead track off his ‘Empirical House’ album sets the stage for a stacked release of hypnotic long players, which feels like the representation of the strong impact Villalobos has had on electronic music throughout his career. It’s his first album since 2012 and fittingly was released via Rhadoo, Petre Inspirescu and Raresh’s imprint, the perfect storm for all minimal heads. Recorded almost entirely as live takes on a pair of Boss DR 202s (with input from an x0xb0x and Korg Volca FM synth), ‘Symbolic Use Of Light’ is an exercise in the power of restraint. Arresting rhythms and ghostly tones flicker across sparse, and at times beatless, arrangements, packing the LP full of off-kilter energy.
